Understood even by Jean-Marc Matos
participation in language is a process that consumes its speakers
while we are passing away like flowers
randomness: no pattern, no structure
untranscendental score
artists look for the overlayer (subjective experience)
taking it as a first-order assumption
artists will be able to formulate experience and perceptions
no doubt it queues
close to a model of randomness
a composer
and formal vs arbitrary
and there is no form without recognition
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