For the purpose of Jean-Marc Matos
is a biological reality
close relations to the environment
no doubt it queues
positively speaking
of representations
patterns of aesthetic value
so
a factor: D: of phantom flickers
close to a model of randomness
artists look for the overlayer (subjective experience)
due to the constant struggle with time and privacy
less exaggerated versions of visual beauty
is the universe random?
humans signals were dropped in the effort to understand randomness